{"product_id":"agelio-batle-douglas-fir-card-case-with-rubber-band","title":"Agelio Batle \/ Douglas Fir Card Case with Rubber Band","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eAgelio Batle's Douglas Fir Card Case is made of recycled wood sourced from old San Francisco buildings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDouglas Fir\u003c\/li\u003e\n\u003cli\u003eMeasures 4\" x 2.5\" x .5\"\u003c\/li\u003e\n\u003cli\u003eIncludes 4 rubber bands\u003c\/li\u003e\n\u003cli\u003eHandmade in San Francisco, California\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAs I go about my normal day, I find myself attracted to anomalies: oddities of circumstance or material that snap me out of my “routine”.  For me, routine is complacent; a slow death. I think of art-making as cultivating a specialized anomaly. First, I rummage out objects that are part of my “routine”. They can be anything, really. I particularly revel in taking aim at things that are unquestioned fixtures, self-assured maybe, but mundane. Then, I zero in on a quality that might expose a “kink in the armor”.  With a playful attitude, I’ll add something to it, or take something away, in order to reveal its paradox. That object, which had previously affirmed the “routine”, might now divulge a transcendent irony.\u003c\/span\u003e\u003c\/p\u003e","brand":"Batle Studio","offers":[{"title":"Default Title","offer_id":48977250156697,"sku":"ACC50156697","price":90.0,"currency_code":"USD","in_stock":true}],"url":"https:\/\/open-editions.com\/products\/agelio-batle-douglas-fir-card-case-with-rubber-band","provider":"OPEN EDITIONS","version":"1.0","type":"link"}